The Barber of Seville

A scene from the Canadian Opera Company production of The Barber of Seville, 2015. Photo: Michael Cooper.

The Canadian Opera Company’s current production of Rossini’s The Barber of Seville is a comedic delight from start to finish.

Act one opens with the love sick Count Almaviva (Alek Shrader) comically serenading Rosina (Serena Malfi) the ward of Doctor Bartolo (Renato Girolami). Almaviva's approach is far from humble (it's reminiscent of a peacock’s mating dance), but he is honest in his emotion and chooses to withhold the fact that he is the Count until he is sure about Rosina's true feelings for him. Enter Figaro (Joshua Hopkins), the cunning barber whose schemes always get him into trouble. Thankfully, Figaro's wit and charm are his constant salvation. He agrees to help the count outwit Doctor Bartolo with an elaborate scheme that involves Almaviva dressing up as various characters in order to enter the doctor's home and plan Rosina’s escape.

Quickly paced, The Barber of Seville is highly engaging and each scene is full of humour and charm. The music takes centre stage throughout, with a strong staccato composition adding to the frenzy that is occurring on stage. Rich with stunning arias, this story is not only entertaining but the music is truly beautiful, specifically the famous Largo al factotum aria in act one.

The set of Barber is extremely minimalistic, which at first is a little disappointing. However, once the performance starts there is so much going on between the plot and the overwhelmingly energetic music that an elaborate set is not missed. While the production doesn't take place in a specific era, some of the costumes appear to be inspired by classical Victorian theatre with an added street performer/busker vibe. Overall, the designs are whimsical and well suited to the light tone of the opera.

Of particular note is Alek Shrader’s performance as Almaviva. It is amazing how well he is able to portray numerous characters throughout this performance, taking on various disguises as part of Figaro’s intricate plan. He continually alters his character’s mannerisms, and at times you forget that he is in disguise. It's as if an entirely new character has taken the stage.

If you are looking for an enjoyable night at the opera, this piece is light, absolutely hilarious and a great way to spend an evening. The Barber of Seville runs until May 22, 2015 at the Four Seasons Centre for the Performing Arts.

A reminder to those under 30, The Canadian Opera Company offers a great Opera Under 30 program. Visit coc.ca for more information and to buy tickets.